2011
Authors
Pinto, T; Rebelo, A; Giraldi, G; Cardoso, JS;
Publication
PATTERN RECOGNITION AND IMAGE ANALYSIS: 5TH IBERIAN CONFERENCE, IBPRIA 2011
Abstract
Image binarization is a common operation in the preprocessing stage in most Optical Music Recognition (OMR) systems. The choice of an appropriate binarization method for handwritten music scores is a difficult problem. Several works have already evaluated the performance of existing binarization processes in diverse applications. However, no goal-directed studies for music sheets documents were carried out. This paper presents a novel binarization method based in the content knowledge of the image. The method only needs the estimation of the staffline thickness and the vertical distance between two stafflines. This information is extracted directly from the gray level music score. The proposed binarization procedure is experimentally compared with several state of the art methods.
2012
Authors
Rebelo, A; Fujinaga, I; Paszkiewicz, F; Marçal, ARS; Guedes, C; Cardoso, JS;
Publication
Int. J. Multim. Inf. Retr.
Abstract
For centuries, music has been shared and remembered by two traditions: aural transmission and in the form of written documents normally called musical scores. Many of these scores exist in the form of unpublished manuscripts and hence they are in danger of being lost through the normal ravages of time. To preserve the music some form of typesetting or, ideally, a computer system that can automatically decode the symbolic images and create new scores is required. Programs analogous to optical character recognition systems called optical music recognition (OMR) systems have been under intensive development for many years. However, the results to date are far from ideal. Each of the proposed methods emphasizes different properties and therefore makes it difficult to effectively evaluate its competitive advantages. This article provides an overview of the literature concerning the automatic analysis of images of printed and handwritten musical scores. For self-containment and for the benefit of the reader, an introduction to OMR processing systems precedes the literature overview. The following study presents a reference scheme for any researcher wanting to compare new OMR algorithms against well-known ones. © 2012, Springer-Verlag London Limited.
2011
Authors
Rebelo, A; Tkaczuk, J; Sousa, RG; Cardoso, JS;
Publication
10th International Conference on Machine Learning and Applications and Workshops, ICMLA 2011, Honolulu, Hawaii, USA, December 18-21, 2011. Volume 2: Special Sessions and Workshop
Abstract
Although Optical Music Recognition (OMR) has been the focus of much research for decades, the processing of handwritten musical scores is not yet satisfactory. The efforts made to find robust symbol representations and learning methodologies have not found a similar quality in the learning of the dissimilarity concept. Simple Euclidean distances are often used to measure dissimilarity between different examples. However, such distances do not necessarily yield the best performance. In this paper, we propose to learn the best distance for the k-nearest neighbor (k-NN) classifier. The distance concept will be tuned both for the application domain and the adopted representation for the music symbols. The performance of the method is compared with the support vector machine (SVM) classifier using both real and synthetic music scores. The synthetic database includes four types of deformations inducing variability in the printed musical symbols which exist in handwritten music sheets. The work presented here can open new research paths towards a novel automatic musical symbols recognition module for handwritten scores. © 2011 IEEE.
2009
Authors
Cardoso, JD; Capela, A; Rebelo, A; Guedes, C; da Costa, JP;
Publication
IEEE TRANSACTIONS ON PATTERN ANALYSIS AND MACHINE INTELLIGENCE
Abstract
The preservation of musical works produced in the past requires their digitalization and transformation into a machine-readable format. The processing of handwritten musical scores by computers remains far from ideal. One of the fundamental stages to carry out this task is the staff line detection. We investigate a general-purpose, knowledge-free method for the automatic detection of music staff lines based on a stable path approach. Lines affected by curvature, discontinuities, and inclination are robustly detected. Experimental results show that the proposed technique consistently outperforms well-established algorithms.
2007
Authors
Rebelo, A; Capela, A; Pinto da Costa, JF; Guedes, C; Carrapatoso, E; Cardoso, JS;
Publication
AXMEDIS 2007: THIRD INTERNATIONAL CONFERENCE ON AUTOMATED PRODUCTION OF CROSS MEDIA CONTENT FOR MULTI-CHANNEL DISTRIBUTION, PROCEEDINGS
Abstract
Many music works produced in the past still exist only as original manuscripts or as photocopies. Preserving them entails their digitalization and consequent accessibility in a digital format easy-to-manage. The manual process to carry out this task is very time consuming and error prone. Optical music recognition (OMR) is a form of structured document image analysis where music symbols are isolated and identified so that the music can be conveniently processed. While OMR systems perform well on printed scores, current methods for reading handwritten musical scores by computers remain far from ideal. One of the fundamental stages of this process is the staff line detection. In this paper a new method for the automatic detection of music stave lines based on a shortest path approach is presented. Lines with some curvature, discontinuities, and inclination are robustly detected. The proposed algorithm behaves favourably when compared experimentally with well-established algorithms.
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