Aníbal Ferreira

Abstract
Harmonic representation models are widely used, notably in speech coding and synthesis. In this paper, we describe two fully parametric harmonic representation and signal reconstruction alternatives that rely on a shift-invariant harmonic phase model and that implement accurate frame-based synthesis in the frequency-domain, and accurate pitch pulse-based synthesis in the time-domain. We use natural spoken and sung voice signals in order to assess the objective and subjective quality of both alternatives when parameters are exact, and when they are replaced by compact and shift-invariant harmonic phase and magnitude approximation models. We highlight the flexibility of these models and present results indicating that not only does the compact shift-invariant phase model cause a smaller impact than that caused by harmonic magnitude modeling, but it also compares favorably to results presented in the literature. © 2020 IEEE

Abstract
Automatic speaker identification typically relies on sophisticated statistical modeling and classification which requires large amounts of data for good performance. However, in actual audio forensics casework, frequently only a few seconds of speech material are available. In this paper, we favor diversity in feature extraction, simple modeling and classification, and constructive combination of congruent classification scores. We use phase, spectral magnitude and F0-related features in speaker identification experiments on a database of 35 speakers most of whom are twins. Using only 4.4 sec. of vowel-like sounds per speaker, we characterize the performance that is reached with individual features and we characterize simple and yet effective ways of classification score fusion. Insights for further research are also presented.

Abstract
Automatic speaker identification typically relies on sophisticated statistical modeling and classification which requires large amounts of data for good performance. However, in actual audio forensics casework, frequently only a few seconds of speech material are available. In this paper, we favor diversity in feature extraction, simple modeling and classification, and constructive combination of congruent classification scores. We use phase, spectral magnitude and F0-related features in speaker identification experiments on a database of 35 speakers most of whom are twins. Using only 4.4 sec. of vowel-like sounds per speaker, we characterize the performance that is reached with individual features and we characterize simple and yet effective ways of classification score fusion. Insights for further research are also presented.

Abstract
Objectives: To describe the results of the acoustic analysis of a database of 90 voice samples with distinct dysphonia levels, using four different - commercial and open source - software programs. Study design: Exploratory, transversal. Methods: The samples were analyzed by four different types of software programs that perform acoustical evaluation - one open source software (Praat) and three commercial ones (Multi Dimensional Voice Program - MDVP by Kay Elemetrics; VoiceStudio by Seegnal; and Dr. Speech by Tiger Electronics) - for comparison among the most commonly used acoustic measures (frequency, perturbation and noise measures). Results: There is a moderate to strong,correlation, positive and statistically significant among the software programs. The mean FO is not statistically different among the used applications. The other acoustic measures revealed statistically significant differences. Conclusion: Even though it is easier to access software programs and there are numerous proposals for acoustic measures, not all of them are statistically representative nor have numeric semblance among the different applications.

Abstract
Magnitude-oriented approaches dominate the voice analysis front-ends of most current technologies addressing e.g. speaker identification, speech coding/compression, voice reconstruction and re-synthesis. A popular technique is all-pole vocal tract modeling. The phase response of all-pole models is known to be non-linear and highly dependent on the magnitude frequency response. In this paper, we use a shift-invariant phase-related feature that is estimated from signal harmonics in order to study the impact of all-pole models on the phase structure of voiced sounds. We relate that impact to the phase structure that is found in natural voiced sounds to conclude on the physiological validity of the group delay of all-pole vocal tract modeling. Our findings emphasize that harmonic phase models are idiosyncratic, and this is important in speaker identification, and in fostering the quality and naturalness of synthetic and reconstructed speech. © 2018 KASHYAP.